| Title |
Writer |
Page |
|
|
| Editorial |
Nur Gökalp Akkerman & Barış Gümüşbaş |
1 |
|
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| Introduction: Visual Culture |
Sırma Soran Gumpert |
3 |
|
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Articles
|
| A Black Vision in a White America?: The Beat Poetry, Art and Illustration of Ted Joans |
Gordon J. Marshall |
5 |
Preview |
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| The Metaphors of Spatial Merging: The Female Body as House in the Work of Mary Caponegro, Louise Bourgeois, and Francesca Woodman |
Ceylan Ertung |
17 |
Preview |
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| Eye Was There: From The World Trade Center to the Freedom Tower |
Devrim Kılıçer Yarangümeli |
31 |
Preview |
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| Do Tread on My Dreams: The Perception of Cityscape in Science Fiction Films |
Cem Kılıçarslan |
45 |
Preview |
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| Gesture after the Gestural: Abstract Expressionism, American Visual Culture and Post-War Painting in Turkey |
Lewis Johnson |
67 |
Preview |
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Book Reviews
|
| Sara Blair. Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century. Princeton and Oxford: Princeton University Press, 2007. |
Clifford Endres |
87 |
|
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| Walker Evans, Many Are Called. New Haven and London: Yale University Press in association with the Metropolitan Museum of Art, New York. 2004. |
Serhan Oksay |
91 |
|
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Film Reviews
|
| Into the Wild by Sean Penn |
Mark Bousquet |
99 |
|
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| Signs Made Flesh: Crime Scene Investigation and the Realm of Necrosemiosis (Televison Series) |
Matthew Gumpert |
103 |
|
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Art Exhibit Review
|
| Reflections on Movement: New Installations in Historical Dervish Sites of İstanbul |
Jeffrey Baykal Rollins |
105 |
Preview |
Download |
JAST
